Kab Haath Me Tera Haath Nahi Novel By Farhat Ishtiaq Complete - ZNZ TODAY

Kab Haath Me Tera Haath Nahi Novel By Farhat Ishtiaq Complete - ZNZ TODAY

کب ہاتھ میں تیرا ہاتھ نہیں از فرحت اشتیاق

This novel is being published on this website with the author's permission

Farhat Ishtiaq (Urdu: فرحت اشتیاق‎) (conceived June 23, 1980), is a Pakistani essayist, writer and screenwriter. She is most popular for her heartfelt books Humsafar, Mata-e-Jaan Hai Tu, Diyar-e-Dil, Dil se Nikle Hain jo Lafz and Woh Jo Qarz Rakhty Thay Jaan Per. She generally centers around Pakistani society.

I started my composing profession in 2004. At first, I composed stories for a few Urdu-language digests. I have now composed smash hit books going from complete books to arrangements of brief tales. Composing doesn't run in my family, yet as far back as I recall that, I used to peruse a ton, particularly Enid Blyton and Ishtiaq Ahmed, and I was truly adept at composing school expositions.

I fostered my composing abilities through experimentation. At center school, I would frequently compose brief tales throughout my late spring occasions and request that my companions read them. Before I even got to secondary school, I had composed a total novel and planned its cover. Afterward, after I had advanced to perusing more famous grown-up fiction, I was propelled to send my most memorable manually written brief tale to Khawateen Review. It was distributed, and hence started a well established relationship with them which proceeds right up 'til now.

“دروازہ۔۔۔کیوں۔۔۔بند کیا۔”ڈر کے مارے اس سے بولنا مشکل ہورہا تھا۔

مرتضی نے ایک نظر اس کے خوفزدہ چہرے کو دیکھا اور قدم اس کی طرف بڑھادیے۔اپنی طرف قدم بڑھاتا دیکھ وہ پیچھے ہٹنے لگی۔یہاں تک کہ وہ دیوار سے جالگی۔

“آپ جائیں یہاں سے ورنہ۔۔۔ورنہ میں شور مچاؤں گی۔”کرن نے کانپتی ہوئی آواز میں کہا۔

“شوق سے مچاؤ شور۔”مرتضی نے اس کے سامنے کھڑے ہوتے ہوئے کہا تو کرن بھاگ کر اس کی سائیڈ سے نکلی اس سے پہلے کہ وہ دروازے تک پہنچتی مرتضی نے اس کا بازو پکڑ لیا اور جھٹکے سے اپنی طرف کھینچا۔وہ اپنا توازن برقرار نہ رکھ سکی اور سیدھا اس کے سینے سے جا ٹکرائی۔

مرتضی نے بازو اس کے گرد لپیٹ کر اس کو اپنے گھیرے میں لے لیا۔کرن نے خود کو چھڑوانے کی کافی کوشش کی لیکن اس کی گرفت کافی سخت تھی۔ڈر اور شرم کے مارے اس کی حالت خراب ہورہی تھی۔جب وہ خود نا چھڑا سکی تو اس نے رونا شروع کردیا۔

“میں تم سے بات کرنے آیا تھا لیکن تم نے تو۔۔۔خیر جو تم کہ چکی ہو وہ ضرورت سے ذیادہ تھا۔اب تک میں نے بہت برداشت کیا ہے حالانکہ یہ میری عادت نہیں لیکن اب مزید نہیں۔۔ہاں تو تم کہ رہی تھی تمہارا میرا کوئی رشتہ نہیں چلو ٹھیک ایسا ہی سہی مگر کاغذ کا تعلق تو ہے نا اور اس حساب سے ہم ہوئے میاں بیوی اور میاں بیوی کا رشتہ تو بہت قریبی ہوتا ہے۔”

اس نے قریبی پہ ذور دے کر کہا۔کرن کو ایسا لگ رہا تھا کہ اس کا دل ابھی باہر آجائے گا۔

“اب تم میری بیوی ہو اور تم پر میرا پورا حق ہے۔مصطفی کی بات پہ اس نے جھٹکے سے سر اٹھا کر اسے دیکھا۔مرتضی کی آنکھوں میں جو نظر آیا اس نے اس کے پورے جسم میں سنسنی پیدا کردی تھی۔”

“آپ ایسا نہیں کرسکتے۔”اس نے روتے ہوئے کہا۔

“میں کچھ بھی کرسکتا ہوں۔”مرتضی نے اپنی گرفت مزید سخت کرتے ہوئے کہا۔

There is an overarching misguided judgment in our general public that scholars are monetarily uncertain and that composing ought to never be taken up as a calling. Despite the fact that I experienced a few insults distrustful family members when I quit a safe Structural Designing position to seek after what they viewed as an unrealistic fantasy, I have endeavored to demonstrate that composing can be an advantageous vocation. The sheer number of my fans and book deals are a decent sign that my assurance and recipe works.

Since I have a Four year certification in Structural Designing fromNED College of Designing and Innovation, Karachi, I like to make my driving characters clever and furthermore exceptionally qualified. Large numbers of them are fruitful structural designers, draftsmen, or splendid understudies who live explicitly where I still cheerfully dwell in Karachi.

I was brought into the world on June 23, 1980 in Karachi, Sindh. Having lived abroad, it does not shock anyone that I additionally frequently expound on unfamiliar terrains. I had a nearly fantasy youth in Japan, my school was brilliant as were my companions. Therefore, I typically compose my very own great deal encounters into my accounts.

Composing isn't generally an amazing line of work, be that as it may, and is surely not ideal for everybody. I frequently track down it a seriously desolate and agonizing cycle. I become touchy and go through temperament swings. What's more, it turns out to be far more detestable when I stall out in a story. I generally show my most memorable draft to my sister Huma. Huma is a significant asset who gives me a significant peruser's point of view and frequently exhorts me on my story lines and characters. In view of her criticism, I make revisions to the draft. Frequently, I make no less than three modifications prior to sending anything to Khawateen Overview.

As a screenwriter forPakistan TV stations, my generally noted novel for TV is Humsafar. This slung me to across the country (and, surprisingly, global) distinction, andpressure to copy that achievement is available with each ensuing TV creation. Humsafar was trailed by Mata-e-Jaan Hai Tu.

Making an interpretation of books to screen requires a great deal of difficult work. A few characters that are just minor ones must be either modified or figured out for TV. At times I have needed to make another person that never existed in my book. There is no such thing as for example, Yameena in the original Mata-I-Jaan.

At present, a sequential named Rehai, which I composed as a unique content, is being communicated on Murmur television. Rehai centers around dirty portrayals of kid marriage, orientation segregation and monetary strengthening in light of genuine stories, and is completely different to the heartfelt fiction which I'm known for.

In my heartfelt books, I frequently investigate numerous South Asian social issues, especially the job of ladies in the public eye. I have experienced some very brutal analysis over this, especially from scholastics. Yet, this is the very thing that I need to compose, and I will keep on doing as such.

Most importantly, I will keep on composing straightforward, sincerely extreme stories. I'm exceptionally dedicated to composing sentiments as of now, I need to investigate the chance of falling head over heels briefly time. I don't really accept that that one should get hitched after a specific age. I don't need such a marriage. Furthermore, I'm prepared to remain single until I track down such an individual.